Partners
2014
- Museum of King Jan III’s Palace at Wilanów
- POLIN — Museum of the History of Polish Jews
- The Museum Educators Forum
- Adam Mickiewicz University — The Faculty of Pedagogy and Fine Arts in Kalisz
- NIMOZ — National Institute for Museums and Public Collections
- The City of Warsaw
- Royal Castle in Warsaw
- Centre for Contemporary Art Ujazdowski Castle
- National Museum in Warsaw
- Copernicus Science Centre
- The State Ethnographic Museum
- Royal Łazienki Museum in Warsaw
- The Fryderyk Chopin Museum in Warsaw
- Zachęta — National Gallery of Art
- Interactive Institute Swedish ICT, Stockholm, Sweden
- Stockholm City Museum, Stockholm, Sweden
2013
- Swedish Exhibition Agency, Sweden
- Stockholm City Museum, Sweden
- Interactive Institute Swedish ICT
2012
- Interactive Institute Swedish ICT, Sweden
- The Advanced Institute for Cross-Disciplinary Studies, Hong Kong
- City University of Hong Kong
- CityU’s School of Creative Media, Hong Kong
- ALiVE (Applied Laboratory for Interactive Visualization and Embodiment), Hong Kong
Network 2006–2009
- Audio to Me AB, Sweden
- Amuze Interactive AB, Sweden
- ARCES, Università di Bologna, Italy
- Archaeolingua
- Arkeologisk Museum in Stavanger, Norway
- Association of Swedish museums
- Bank of Sweden Tercenary Fund, Sweden
- Best in Heritage
- Bjärgas hembygdsgård och museum, Finland
- Centre for Interactive Spaces, Aarhus University, Denmark
- Centre for Research in the Humanities, University of Iceland
- CultNat, Egypt
- CNR-ISTI, Pisa
- Dataton AB, Sweden
- EPOCH Network of Excellence
- Ename Center, Belgium
- Evoking Spaces, Sweden
- Finlands svenska hembygdsförbund, Finland
- The Forum, Norwich UK
- The Foundation Culture of the Future, Sweden
- Gagarin, Iceland
- Hitex AB, Sweden
- HUMAK Polytechnic, Finland
- The Icelandic Association of Museums and Museum Employees Institute of InterMedia, Prague
- Kilens hembygdsgård,Finland
- Kontrast Foto AB
- Knowledge Foundation in Sweden
- The Letterstedt Association, Sweden
- Ministry of Education, Science and Culture, Iceland
- Museum of Far Eastern Antiquities, Sweden
- The National Museum, Denmark
- Nanyang Technological University
- The National Museum of Iceland
- Nordic Culture Fund
- Norwegian Museumsorganisation, Norway
- Ocias Design
- Pargas hembygdsmuseum, Finland
- Papalote Children’s Museum, Mexico
- PIN, Italy
- Reykjavik City Museum, Iceland
- Sainsbury Centre for Visual Arts, UK
- Stockholm City Museum, Sweden
- Stockholm Institute of Education, Sweden
- The Swedish Culture Fund in Finland
- Swedish Institute of Computer Science
- Touch and Turn, Sweden
- University of Art and Design, Finland
- University of Bologna, Italy
- University of Iceland
- University of Oslo, Norway
- University of Kent, England
- University of Leuven, Belgium
- Visual Dimension, Belgium
- Windfall digital, UK
We would like to thank all our partners, sponsors, researchers and all others who are part of our network of professionals for making these projects possible!
Management group/Interactive Institute; Steering Committee/Swedish Forum for Cultural Heritage; The Administration/Interactive Institute; The Infrastructure Group/Interactive Institute; The Communications Department/Interactive Institute.
David Arnold/EPOCH; John Clinton/EPOCH; Lotte Hougaard/Exhibition designer; Mikael Karlsson/Business developer; Stefan Lindberg/Interactive Institute; Bozena Myrgård/Orbis Resor; Joanna Ocias/Ocias design; Robert Ocias/Ocias design; Bente Ruud/Exhibition Designer; Veronica Sekules/Sainsbury Centre for Visual Arts; Dagny Stuedahl/University of Oslo; Jonas Söderberg/SICS; Onita Wass/Museum of Far Eastern Antiquities; Hans Öjmyr/Stockholm City Museum; Anna Söderberg/stage designer, Alex Bustamante/Interactive Institute; Bente Ruud/Arkeologisk Museum in Stavanger; Siv Kristoffersson/Arkeologisk Museum in Stavanger; Erland Eine/Vestad Lighting A/S; Gunnar Aasland/Vestad Lighting A/S; Anne Bergström, Pargas hembygdsmuseum; Katarina Rosenback, Sinikka Norrback/Sara Bondegård/Kilens hembygdsgård; Laura Holm/ Bjärgas hembygdsmuseum; Linda Blomqvist/Bjärgas hembygdsmuseum; Staffan Rydegård/ Approach AB; Peter Muld/Approach AB; Michal Danks/Windfall digital; Gudny Karadottir/Gagarin; Tomislav Sola/The Best in Heritage; Mohammed Farouk/CultNat; Dr Fathi Saleh/CultNat; Roger Jurstedt/Optolux AB; Jerem Erzsébet/Archaeolingua; Gunnar Johansson/Stockholm City Museum; Raid Murrad/Stockholm City Museum; Marianne Tråvén/Stockholm City Museum; Roman Berka/Institute of InterMedia; Jaroslav Sloup/Institute of InterMedia; Franco Niccolucci/EPOCH/PIN; Katarina Rodriguez/University of Brighton; Hilary Williams/EPOCH; Robert Brecevic/Interactive Institute; Dennis Atterfors/Carpenter; Darko Babic/Best in Heritage; Berta MacGregor/Papalote Children’s Museum, Mexico; Lorena Baca/Papalote Children’s Museum, Mexico; Mercedes Jimenez/Papalote Children’s Museum, Mexico; Emmanuel Frécon/SICS; Luc Van Gool/University of Leuven; Maarten Vergauwen/University of Leuven; Nick Ryan/University of Kent; Tullio Salmon/ARCES, Università di Bologna; Daniele Manzaroli/ARCES, Università di Bologna; Paolo Cignoni/STI-CNR, Pisa, HITEX; Despina Kanellou/Centrim, Andrew Grantham/Centrim, Daniel Plentickx/Visualdimension, Hilde Delange/Visualdimension
…and to everyone else we may have forgotten, our apologies, just too many names to keep track of.
Network 2006–2007
We would like to thank all our partners, sponsors, researchers and all others that are part of our network of professionals for making these projects possible!
Management group/Interactive Institute; Steering Committee/Swedish Forum for Cultural Heritage; The Administration/Interactive Institute; The Infrastructure Group/Interactive Institute; The Communications Department/Interactive Institute.
David Arnold/EPOCH; John Clinton/EPOCH; Lotte Hougaard/Exhibition designer; Mikael Karlsson/Business developer; Stefan Lindberg/Interactive Institute; Bozena Myrgård/Orbis Resor; Joanna Ocias/Ocias design; Robert Ocias/Ocias design; Bente Ruud/Exhibition Designer; Veronica Sekules/Sainsbury Centre for Visual Arts; Dagny Stuedahl/University of Oslo; Jonas Söderberg/SICS; Onita Wass/Museum of Far Eastern Antiquities; Hans Öjmyr/Stockholm City Museum; Anna Söderberg/stage designer, Alex Bustamante/Interactive Institute; Bente Ruud/Arkeologisk Museum in Stavanger; Siv Kristoffersson/Arkeologisk Museum in Stavanger; Erland Eine/Vestad Lighting A/S; Gunnar Aasland/Vestad Lighting A/S; Anne Bergström, Pargas hembygdsmuseum; Katarina Rosenback, Sinikka Norrback/Sara Bondegård/Kilens hembygdsgård; Laura Holm/ Bjärgas hembygdsmuseum; Linda Blomqvist/Bjärgas hembygdsmuseum; Staffan Rydegård/ Approach AB; Peter Muld/Approach AB; Michal Danks/Windfall digital; Gudny Karadottir/Gagarin; Tomislav Sola/The Best in Heritage; Mohammed Farouk/CultNat; Dr Fathi Saleh/CultNat; Roger Jurstedt/Optolux AB; Jerem Erzsébet/Archaeolingua; Gunnar Johansson/Stockholm City Museum; Raid Murrad/Stockholm City Museum; Marianne Tråvén/Stockholm City Museum; Roman Berka/Institute of InterMedia; Jaroslav Sloup/Institute of InterMedia; Franco Niccolucci/EPOCH/PIN; Katarina Rodriguez/University of Brighton; Hilary Williams/EPOCH; Robert Brecevic/Interactive Institute; Dennis Atterfors/Carpenter; Darko Babic/Best in Heritage; Berta MacGregor/Papalote Children’s Museum, Mexico; Lorena Baca/Papalote Children’s Museum, Mexico; Mercedes Jimenez/Papalote Children’s Museum, Mexico; Emmanuel Frécon/SICS; Luc Van Gool/University of Leuven; Maarten Vergauwen/University of Leuven; Nick Ryan/University of Kent; Tullio Salmon/ARCES, Università di Bologna; Daniele Manzaroli/ARCES, Università di Bologna; Paolo Cignoni/STI-CNR, Pisa, HITEX
Despina Kanellou/Centrim, Andrew Grantham/Centrim, Daniel Plentickx/Visualdimension, Hilde Delange/Visualdimension,
…and to everyone else we may have forgotten, our apologies, just too many names to keep track of.
Network 2005
We would like to thank all the people that are part of our network of professionals for making the projects of 2005 possible!
Thanks to:
The Management Group / Interactive Institute; The Steering Committee / Visions for Museums; The Administration / Interactive Institute; The Infrastructure / Interactive Institute; The Communication Department / Interactive Institute;
Geska Helena Andersson/Interactive Institute; David Arnold/EPOCH; Åsa Axberg/Länsmuseet Varberg; Louise Asplund/Universeum Science Center; Mariana Back/ the National Museum of Science and Technology; Elisabeth Beijer/ the University College of Film, Radio, Television and Theatre; Massimo Bergamasco/PERCO, Scuola Superiore Sant ’Anna, Italy; Anne Bergström-Stenbäck/Pargas hembygdsmuseum; Monica Berneström/Stockholm City Museum; Niklas Billström/multi media producer; Bino & Cool/Royal Institute of Technology; Daniel Björkman/artist; Peter Blom/Linköping University; Linda Blomqvist/Bjärgas hembygdsgård;
Mats Brandt/Svenska Kulturfonden; Luigina Ciolfi/University of Limerick, Ireland; John Clinton/EPOCH; Bo Dahlbom/SITI; Konstantin Economou/Linköping University; Janove Ekstedt/artist, multimedia; Anders Elfström/Filt AB; Anna Engqvist/the Museum of National Antiquities; Mattias Esbjörnsson /Interactive Institute; Antoni Fasoli/PERCO, Scuola Superiore Sant ’Anna, Italy; Jeanette Fyhr/designer; Lena Geijer/the Stockholm Institute of Education; Christoffer Gottlieb/researcher; Stefan Göbel/Zentrum Für Graphische Datenverarbeitung; James Hemsley/EVA 2005; Lotte Hougaard/exhibition designer; Sara Ilstedt/SID; Eva Insulander/the Stockholm Institute of Education; Torbjörn Isaksson/designer; Helen Ivars/Libego AB; Gunnar Jansson/Uppsala University; Björn-Axel Johansson/the Museum of National Antiquities; Sigrún Asta Jonsdottir/FISOS, the Icelandic Museums Association; Oskar Juhlin/Interactive Institute; Monica Kaayk/EVA 2005; Mikael Karlsson/Touch and Turn; Margareta Klimt/architect; Anne Lidén/the Stockholm Institute of Education; Stefan Lindberg /Interactive Institute; Peter Lunden/Interactive Institute; Ramia Mazé/Interactive Institute; Slavko Milekic/University of Art in Philadelphia, USA; Philimona Mulugeta/web designer; Bozenna Myrgård/Orbis resor; David Nilsson/artist; Ingrid Nilsson/Interactive Institute; Klas Nordén/producer of interactive media; Jesper Nordström/designer; Sinikka Norrback/Kilens hembygdsgård; Johanna Ocias/Ocias design;John Pereira/Salzburg Research Forschungsgesellschaft mbh; Nikolai Petef/Sennheiser AB; Fredrik Petersson/Interactive Institute; Annika Pråhl/Svenska Kulturfonden; Katarina Przybyl/the Museum of Far Eastern Antiquities; Karen Raney/Engage; Caroline Romare/stage designer; Bente Ruud/exhibition designer; Heidi Sandberg/Interactive Institute; Roland Sandell/ the University College of Film, Radio, Television and Theatre; Tom Sandström/Finlands svenska hembygdsförbund; Veronica Sekules/Sainsbury Centre for Visual Arts, University of East Anglia, UK; Staffan Selander/the Stockholm Institute of Education; Dagny Stuedahl/University of Oslo, Norway; Henrik Summanen/the Museum of National Antiquities; Fredrik Svahnberg/Dataton; Jonas Söderberg/SICS; Ulf Söderström/the University College of Film,
Radio, Television and Theatre; Anders Thorén/artist; Tomas Törnqvist/Libego AB; Karolina Uggla/exhibition producer; Maria von Scheele/Stockholm City Museum; Onita Wass/ the Museum of Far Eastern Antiquities; John Waterford/Q-life; Eva Waterford/Q-life; Lena Wilhelmsson/Dunkers kulturhus; Karl Zetterström/the Museum of Far Eastern Antiquities; Clara Åhlvik/freelancer; Pernilla Åström/Postmuseum; Hans Öjmyr/Stockholm City Museum; Mattias Östergren/Interactive Institute.
V4M 2005
Studio director Halina Gottlieb
Project manager Helen Simonsson
2004 — Thanks to:
Management group/Interactive Institute; Steering Committee/Visions for Museums; The Administration/Interactive Institute; The Infrastructure/Interactive Institute; The Communication department/Interactive Institute; Louise Asplund/Universeum; Johann Asmundsson/Icelandic Museums Association; Christopher Bazley/Antenna Audio; Massimo Bergamasco/PERCO,Scuola Superiore Sant ´Anna; Katarina Björk/Storylab; Niclas Billström; Maria Blomquist/Gertruds Hus; Alf Condelius/Innovation AB; Katarina Delsing/Sonic studio,Interactive Institute; Helena Edgren/National Board of Antiquities; Anna Engquist/Svenska Museifönstret; Yvonne Eriksson/Gothenburg University; Lene Floris/DKM Danish Museums Association; Magnus Fiskesjö/The Museum of Far Eastern Antiquities; Antonio Frisoli/PERCO Scuola Superiore Sant ´Anna;Julia Gardner/UNI-C; Lena Geijer/The Stockholm Institute of Education; Christopher Gottlieb; Dilek Gür/DI; Stefan Göbel/ZGDV; Paul Henningsson/V4M; Anja-Tuulikki Huovinen/Finnish Museums Association; Kristina Höök/SICS;Camilla Irenmark/V4M; Eva Insulander/The Stockholm Institute of Education; Gunnar Jansson/Uppsala University; Oskar Juhlin/Mobility,Interactive Institute; Soffia Karlsdottir/Reykjavik Art Museum; Stefan Lindberg/Sonic Studio,Interactive Institute; Peter Lunden/Interactive Institute; Pia Lyckeberg-Ståhle/Swedish Museums Association; Henrik Lörstad/Sonic Studio,Interactive Institute; Magdalena Marklund/DI; Rob McGlynn/ Antenna Audio;Slavko Milekic/University of Art in Philadelphia; Philimona
Mulugeta; Jon Mårtensson; Marjo Mäenpää/Medialab,Helsinki; The Museum Educators/Liljevalchs Art Gallery; Joan Nordbotten/University of Bergen/University of Hawaii; Johanna Ocias/Ocias design; Robert Ocias/Ocias design; Pedro Ordens; Nikolai Petef/Sennheiser; Marja-Liisa Pohjanvirta/Finnish Museums Association; Minna Raitmaa/Kiasma; Peter Rundquist/Universeum; Maria Rytter/DKM Danish Museums Association; Margit Schyborger /Liljevalchs Art Gallery;Staffan Selander/The Stockholm Institute of Education;Rebecca Scholten/Antenna Audio; Jyrki Simovaara/Kiasma; Henrik Sjögren Zipsane/Jamtli; Gunilla Sundblad/Swedish Museums Association; Anna Söderberg; Roland Söderberg; Ulf Söderström/DI; Gabriella Thinz; Pia Vigh/Nordic Council of Ministers; Onita Wass/The Museum of Far Eastern Antiquities; Tron Wigeland Nilsen/Norwegian Museums Association; Gudrun Zachrisson/DI; Linda Ånger Lava/Kulturhuset ; Clara Åhlvik; Hans Öjmyr/Nationalmuseum;Niclas Östlind/Liljevalchs Art Gallery
Stiftelsen Framtidens Kultur/The Foundation Culture of the Future
Riksbankens jubileumsfond/Bank of Sweden Tercenary Fund
Nordisk Ministerråd/Nordic Council of Ministers
Nordisk Kulturfond/Nordic Cultural Fun